Today is episode one of our two-part look at Lee Rock and Lee Rock II, a four-hour crime saga based on the life of Lui Lok, a real Hong Kong police officer whose career took him from cadet to high-ranking power broker within a deeply corrupt system. Andy Lau plays the role across both films, which trace his rise, the systemic rot around him, and the real-life backdrop of post-war Hong Kong. With Kenny B and Paul Fox. Read More
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Lau Kar-Leung meets buddy cop comedy in Tiger on the Beat! Chow Yun-Fat and Conan Lee bicker, banter, and brawl their way through heroin smugglers and a chainsaw duel you won’t forget. It’s a classic Hong Kong genre mash-and-smashup, mixing slapstick, squib-heavy carnage, and Lau’s signature choreography with explosive modern action. With Kenny B and Phil G.
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Hong Kong cinema goes full comic book madness in Saviour of the Soul! Inspired by City Hunter but transformed into something uniquely Hong Kong, this film blends slick action, wild visuals, and larger-than-life characters. We break down its manga and anime influences, its dazzling style, and its place in the careers of Andy Lau, Anita Mui, and Aaron Kwok. Plus, the collaborative magic behind its production. With Kenny B and Paul Fox.
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A title so fantastic, we had no choice but to cover it.
In The Holy Virgin vs the Evil Dead (1991), martial arts director Tony Lou—who’d already jumped from wild Wuxia epics to girls-with-guns carnage—takes the Category III plunge and ends up in bed with Donnie Yen (not literally, but you get the idea). It’s the best of all worlds: supernatural horror, Hong Kong action, and softcore sleaze, all colliding in a jungle-set fever dream. With Sleazy K and The Great Lord Joshua Regal. Read More
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The heartfelt story of how you escape the headlock of horror—the director of A Tale of Two Sisters and I Saw the Devil gives us Song Kang-ho as a bank clerk turned wrestler in The Foul King (2000). With Kenny B, joined by resident Korean cinema expert—perhaps even Korean wrestling expert—Paul Quinn.
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Michelle Yeoh’s filmography is vast, so we’re trying something new. Instead of covering every film, we’re selecting three to highlight her action legacy. Two quick reviews focus on her 90s wuxia and action work with Holy Weapon and Wonder Seven, while our deep dive goes into her action debut Yes, Madam. With Kenny B and Phil G.
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Fruit Chan’s favorite cinematographer dives into the world of smut. Lam Wah-chuen kicks off his directing career with The Beauty’s Evil Roses (1992), a wild mix of softcore sleaze and black magic mayhem. With Sleazy K and The Great Lord Joshua Regal.
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