Posts Tagged ‘Korean’

What’s Korean Cinema? 40 – The Mimic

Korean urban legend wrapped in a horror package with some emotional oomph to it, which means we’ll examine if Huh Jung’s The Mimic strikes a balance between approachable local and international horror. With Kenny B and Hangul Celluloid’s Paul Quinn.

The Mimic is out now on dvd and digital HD from Arrow Films and we thank them for providing the screener for review.

Running Times: 
00m 00s – Intro/Huh Jung’s directorial output so far.
21m 52s – The Mimic review.

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What’s Korean Cinema? 39 – The Uninvited

The sassy girl Jun Ji-hyun takes a left turn from out of control girl in romantic comedies to playing a woman with narcolepsy who sees her babies die in front of her. Nothing is cheery, melodramatic or quirky anymore in the psychological horror movie The Uninvited from 2003. With Kenny B and Hangul Celluloid’s Paul Quinn.

Running Times: 
00m 00s – Intro/horror in South Korean cinema.
36m 14s – The career of director Lee Soo-yun and discussion of Jun Ji-hyun’s career at the time (2003).
44m 16s – The Uninvited review.

Contact the show via email at podcastonfire at googlemail.com, on our Facebook page and Facebook group or Twitter (@podcastonfire@sogoodreviews) and SUBSCRIBE to our iTunes feed.

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What’s Korean Cinema? 38 – Double Agent

You can take a far more gentle approach to North Korean infiltration into South Korea, as opposed to the animalistic, head chopping ways in Shiri, and when you’re a screenwriter making your directorial debut, it makes sense it is less noisy and more story driven. This is what you’ll face in Kim Hyeon-jeong’s Double Agent from 2003. With Kenny B and Hangul Celluloid’s Paul Quinn.

Running Times: 
00m 00s – Intro/notes and discussion of writer and director Kim Hyeon-jeong
20m 43s – North and South Korean conflict/defections.
28m 08s – Double Agent review.

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What’s Korean Cinema? 37 – Shiri

The characters try and prevent South Korea from going boom but 1999’s Shiri went boom commercially and perhaps without the spark it set off commercially, Korean cinema would look a lot different today. The new Korean cinema wave starts here. With Kenny B and Hangul Celluloid’s Paul Quinn.

Running Times: 
00m 00s – Intro/Shiri production background.
33m 00s – Notes on director Kang Je-gyu,
37m 05s – Han Suk-kyu biography/discussion.
62m 25s – Shiri review.

Contact the show via email at podcastonfire at googlemail.com, on our Facebook page and Facebook group or Twitter (@podcastonfire@sogoodreviews) and SUBSCRIBE to our iTunes feed.

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What’s Korean Cinema? 36 – Springtime

Choi Min-sik may say he’s a bad guy in Springtime but this is as far removed from any scenes involving hammers or eating live animals on screen. No, Choi Min-sik gets taken down a notch, brought into warmth in Ryu Jang-ha’s 2004 drama. With Kenny B and Paul Quinn of Hangul Celluloid.

Running Times: 
00m 00s – Intro/Ryu Jang-ha bio/discussion.
18m 33s – Choi Min-sik bio/discussion.
47m 35s – Springtime review.

Contact the show via email at podcastonfire at googlemail.com, on our Facebook page and Facebook group or Twitter (@podcastonfire@sogoodreviews) and SUBSCRIBE to our iTunes feed.

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Podcast On Fire Network Bonus Episode 37: Seoul Station

Kenny B and Paul Quinn extend their Train To Busan-coverage by talking of Yeon Sang-ho’s possibly connected and animated zombie movie Seoul Station.

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What’s Korean Cinema? 32 – Train To Busan

How do you get good critical notices and audience-appeal working the crowded zombie genre? Well, you make a good one. That’s what Yeon Sang-ho did with 2016’s Train To Busan. With Kenny B and Paul Quinn of Hangul Celluloid.

Running Times: 

00m 00s – Yeon Sang-ho biography & discussion
33m 25s – Train To Busan review

Contact the show via email at podcastonfire at googlemail.com, on our Facebook page and Facebook group or Twitter (@podcastonfire@sogoodreviews) and SUBSCRIBE to our iTunes feed.

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The Podcast On Fire Network aims to provide a large, continually expanding overview of Asian cinema. On the flagshow Podcast On Fire, the big guns out of Hong Kong cinema gets a spotlight through discussion and review while the remainder of the network shows gives you insight into Japanese, Korean, Taiwanese cinema and the history of adult oriented Hong Kong cinema!

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